Gaute Granli Animalskt LP (Drid Machine)
Fans of unattractive anti-musical nonsense, you’re in luck! I stumbled upon this Gaute Granli on the strong recommendation of mysterious WordPress fanatic Roland Woodbe, he a master of all unappealing musics, and I want to spread the good word to you, too. From what I gather, Granli is a Norwegian artist who may or may not have played in a group called Freddy The Dyke (uhh), and I may have to investigate that soon because Animalskt is really doing it for me. The opening cut is a long-dwindling guitar note with some muttered accompaniment, and it leads into a track that sounds like a broken accordion brutalized in rhythm, at least until the electronics show up, if you want to call their appearance “showing up”. I’m hearing something between the lonesome guitar-led misery of Jandek, the foolhardy electronic antagonism of Null & Void and Severed Heads, the alternate-dimension approach of Reynols, and the single-minded lunacy of Kraus and Hartley C. White, although Gaute Granli is clearly beholden only to his own particular whims. Not much of an emphasis on rhythm or percussion through the album, but rather a focus on the strained insistence of continuing forward with these songs, bilious and fragile as they may be. For all the singing, I can’t understand a word, but I get the impression that even if I was a native Norwegian I still wouldn’t have the foggiest idea of what’s eating Gaute Granli.